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Spectatorship and Film Theory

The Wayward Spectator

Carlo Comanducci

978-3-319-96743-1

2018
Edition 1
- Offers a rereading of 1970s psychoanalytic film theory which attempts to overcome some of its traditional limitations without dismissing its core political concerns
- Foregrounds theory as an internal aspect of everyday spectatorship and as an element of the spectator’s “waywardness” rather than as an instrument for the explanation and normalisation of film experience
- Contributes to a theory of film experience by arguing for an intimate connection between the theory of spectatorship and a queer understanding of subjectivity
- Redraws the relation between spectatorship and film theory from the standpoint of Jacques Rancière’s discussion of politics and emancipation, combining it with an alternative understanding of the role of psychoanalysis in film studies
€100

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