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  • Francesco Finocchiaro
    978-3-319-58262-7
    2017
    Edition 1
    • Examines the connections between musical modernism and German cinema from the Autorenfilm movement (1913-14) through the dawn of the recorded sound film (1932-33)
    • Analyses a corpus of original compositions, films, and aesthetic writings
    • Documents how modernist composers from the Austro-German area approached film music composition and engaged with cinema as an aesthetic phenomenon
    • Reconstructs the connections between modernist composers and the film music universe through historically verifiable collaborations
    • Includes supplementary material: sn.pub/extras
    • Includes supplementary material: sn.pub/extras

    €260

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