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  • Sarah Durcan
    978-3-030-47396-9
    2021
    Edition 1
    • Contributes an original reading of artists moving image in the context of intermediality and memory studies
    • Situates the exponential increase in artists’ moving image in relation to the transitional moment in the mid 1990s when the centenary of cinema coincides with the impact of digitalization
    • Argues that the transitional intermedial aesthetics of contemporary artists’ moving image have reconfigured the diverse and dissociated traditions of artists’ film, video art and experimental film

    €180

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