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  • David Ireland
    978-3-030-00506-1
    2018
    Edition 1
    • Expands the definition of incongruent film music by taking a nuanced look at how difference between a film’s images, narrative and music can contribute to perceived meaning
    • Combines psychological research and other subject perspectives (including semiotic and poststructuralist theory), with more traditional approaches from film music studies
    • Identifies additional types of incongruent film music to those traditionally discussed, for example, film-music mismatches of a more philosophical and conceptual nature rather than just those that rely on emotional difference between sound and image
    €150 €135
    10% OFF

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